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325 books of George Eliot

Silas Marner is accused of stealing funds from his small Christian congregation. Presumed guilty by his community and rejected by the woman he loves, Silas leaves and lives as a recluse near Raveloe village. He takes refuge only in working and attaining wealth, until his precious gold is stolen from him. But a child, her mother found dead in the snow, is thrust into his life, changing it completely. Ultimately, Silas Marner is a redeeming story of love and loyalty.

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Immediately recognized as a significant literary work, Adam Bede has enjoyed a largely positive critical reputation since its publication. An anonymous review in The Athenaeum praised it as a "novel of the highest class,­" and The Times called it "a first-­rate novel.­" Contemporary reviewers, often influenced by nostalgia for the earlier period represented in Bede, enthusiastically praised Eliot's characterizations and realistic representations of rural life. Charles Dickens wrote: "The whole country life that the story is set in, is so real, and so droll and genuine, and yet so selected and polished by art, that I cannot praise it enough to you.­" In fact, in early criticism, the tragedy of infanticide has often been overlooked in favor of the peaceful idyllic world and familiar personalities Eliot recreated...

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Mary Ann Evans, better known by her pen-­name of George Eliot, wrote this novel in 1860. This was one of Evans' most autobiographical novels, with Maggie Tulliver based on herself, Tom Tulliver based on her own older brother, and Mr. Tulliver based on her father

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Daniel Deronda is a novel by George Eliot, first published in 1876. It was the last novel she completed and the only one set in the contemporary Victorian society of her day. Its mixture of social satire and moral searching, along with a sympathetic rendering of Jewish proto-­Zionist and Kaballistic ideas has made it a controversial final statement of one of the greatest of Victorian novelists.

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Author: George EliotPublisher: W. Blackwood and SonsYear published: 1878Book contributor: unknown libraryLanguage: English1 downloads in the last monthDownload Ebook: (PDF) (EPUB)

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One of George Eliot's seven classic novels. She is best known for Middlemarch, Silas Marner, and The Mill on the Floss. According to Wikipedia: "Mary Ann (Marian) Evans (22 November 1819 22 December 1880), better known by her pen name George Eliot, was an English novelist. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological perspicacity. She used a male pen name, she said, to ensure that her works were taken seriously. Female authors published freely under their own names, but Eliot wanted to ensure that she was not seen as merely a writer of romances. An additional factor may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes.­"

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The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction, which includes such other examples as Mary Shelley's Frankenstein (1818), Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897).

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Among the many fatalities attending the bloom of young desire, that of blindly taking to the confectionery line has not, perhaps, been sufficiently considered. How is the son of a British yeoman, who has been fed principally on salt pork and yeast dumplings, to know that there is satiety for the human stomach even in a paradise of glass jars full of sugared almonds and pink lozenges, and that the tedium of life can reach a pitch where plum-­buns at discretion cease to offer the slightest excitement? Or how, at the tender age when a confectioner seems to him a very prince whom all the world must envy - who breakfasts on macaroons, dines on meringues, sups on twelfth-­cake, and fills up the intermediate hours with sugar-­candy or peppermint - how is he to foresee the day of sad wisdom, when he will discern that the confectioner's calling is not socially influential, or favourable to a soaring ambition? I have known a man who turned out to have a metaphysical genius, incautiously, in . . .

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Books of George Eliot