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4 results for request «dahlia schweitzer»

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Raw and honest, provocative and titillating, Dahlia Schweitzer's lays bare the secrets of desire in stories of sensuous encounters, illicit affairs, forbidden passions—and obsessive hungers that must be satisfied, no matter where or when they arise. In these vivid tales of lust without limits, the lines are blurred between fantasy and reality, propriety and necessity. There are no boundaries or taboos, only needs to be fulfilled. Here women and men risk everything in pursuit of sexual satisfaction—and business always mixes with pleasure.

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Author:

What happens when a college freshman goes from virgin to vixen When a delay at the airport turns delicious as a lady in uniform takes over When a late night shower leads to the satisfaction of an old school crush When people stop playing nice and start getting naughty These tales and more explore what happens when desire takes over, when seduction is the only rule, and lovers, exlovers, and wannabe lovers are all fair game. I've Been a Naughty Girlhave you

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One of the twentieth centurys most significant artists, Cindy Sherman has quietly uprooted conventional understandings of portraiture and art, questioning everything from identity to feminism. Critics around the world have taken Shermans photographs and extensively examined what lies underneath. However, little critical ink has been spilled on Shermans only film, Office Killer, a piece that plays a significant role both in Shermans body of work and in American art in the late twentieth century. Dahlia Schweitzer breaks the silence with her trenchant analysis of Office Killer and explores the film on a variety of levels, combating head-­on the art worlds reluctance to discuss the movie and arguing instead that it is only through a close reading of the film that we can begin to appreciate the messages underlying all of Shermans work.

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Author:

One of the twentieth century’s most significant artists, Cindy Sherman has quietly uprooted conventional understandings of portraiture and art, questioning everything from identity to feminism. Critics around the world have taken Sherman’s photographs and extensively examined what lies underneath. However, little critical ink has been spilled on Sherman’s only film, Office Killer, a piece that plays a significant role both in Sherman’s body of work and in American art in the late twentieth century. Dahlia Schweitzer breaks the silence with her trenchant analysis of Office Killer and explores the film on a variety of levels, combating head-­on the art world’s reluctance to discuss the movie and arguing instead that it is only through a close reading of the film that we can begin to appreciate the messages underlying all of Sherman’s work.

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